![]() This two-parter is prime Daddy Hal Jordan, as well as an important and successful attempt at tackling real-world issues. Neil Adams' fluid sense of movement and Denny O'Neill's fresh perspective on what comic book storytelling can achieve makes for a compelling read. Denny O'Neill cleverly turns the drug into Hal's worst nightmare when the power of the ring manifests the horrors of the drug into a Grundy-esque caricature of the proud Green Lantern.Īlthough this landmark story is a little dated by modern sensibilities, its heart is in the right place. Hal Jordan might be DC's resident man without fear, but the thought of losing control is terrifying for him. ![]() When a drug bust uncovers an unlikely addict in Green Arrow's young ward Speedy, it's up to Hal Jordan to help the teenager kick the habit. S.O.S Green Lanternĭenny O'Neill and Neil Adams' socially conscious two-parter in Green Lantern/Green Arrow #85 and #86 is infamous for its unusually (for the time) realistic look at addiction.ĭripping with the atmosphere of the murky '70s, this is a sordid tale of Green Lantern and Green Arrow's fight against the horrors of heroin. ![]() ![]() Visually, Staton and Patterson's gritted teeth and warped anatomy reflect the Lanterns' frustrations in the face of the psychedelic crisis.Īll in all, this story makes a confident statement that Earth needs more than one rightful Green Lantern. Englehart's penchant for highbrow art comes through here, referencing influential philosophers and artists at each issue's opening splash page to provoke us to dig a little deeper into each issue's themes. His Guy Gardner is impulsive and short-sighted, but a worthy foe.Įach issue is simply titled with a number, counting down from 4 with a slow sense of theatrical dread. His John Stewart is a hero triumphant, just entering his prime. Writer Steve Englehart wisely sticks Hal Jordan on the sidelines, giving him his rightful place as rational elder statesman. 2) #195 - #198 combines narrative symmetry with bold ambition to produce a tidy sampling platter of the first three Earth Lanterns. Tying into Crisis on Infinite Earths, this four-part epic that ran through Green Lantern (Vol. Issue by issue, alignments change as the Lanterns pivot with the events of Crisis until it's up to Sinestro and John Stewart to face off against Hal Jordan and Guy Gardner. Guy's inexperience and sheer arrogance make for a deadly combination, and he soon butts heads with the freshly established John Stewart. They summon Guy Gardner, gift him with what little back-up power remains and task him with building a team to take on the Anti-Monitor. When the anti-matter universe during Crisis on Infinite Earths causes the Green Lantern Corps' Central Power Battery to run dry, the Guardians of Oa take drastic measures. Incredibly controversial at the time and a raw and emotional read to this day, 'Emerald Twilight' is an intensely memorable Green Lantern tale. Darryl Banks' Green Lantern #49 cover art, bearing that infamous image of a wild-eyed Hal flaunting the rings of his fallen fellow Lanterns, is an all-time classic. Writer Ron Marz challenges us to wonder how far we would go to save our loved ones while forcing us to watch the once-rational Hal Jordan's descent into madness. Reinventing the once calm and responsible Hal for the chaotic '90s, 'Emerald Twilight' is a classic case of 'this time, the bad guy wins!' Green Lantern: Emerald Twilight is the ultimate fall from grace story. Finally, Hal Jordan absorbs the power of the central battery and emerges as a newly established villain – Parallax. He dispatches the entire Corps and the Guardians fall after transferring their energy into one sole survivor. Power hungry and in betrayal of his oath to not use the ring for personal gain, Hal wages a one-man war on Oa to revive his lost home. Wracked with loss and rage following the catastrophic loss of his home of Coast City, Green Lantern Hal Jordan attempts to recreate it through sheer force of will.
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